TYPE (English) use for works employing a 12-bar structure, using flattened 3rds and 7ths also use when the title indicates a blues-type mood rather than a strict adherence to the 12-bar form. Plural form generally used as a conventional collective title use for Bicinien. TYPE (Latin) a two-voice work for voices, instruments, or keyboard. TYPE (Dutch) use for an independent work titled as such, not for individual movements of a larger work TYPE (French) a quiet song in triple meter or a character piece for instruments. TYPE (English, German, Italian, Spanish) a social dance popular in Europe and American from the 1930s, with a rhythm similar to that of the bolero use for béguine, bigin, biguine. TYPE (English, French, Spanish) the principal court dance during the late Middle Ages and Renaissance use for bassa danza, bassadanza, basdans. TYPE (English, French) use for barcaroletta, barcarolette, barcarolletta. TYPE (French) use for barcarola, barcarole, barcaruola, barkarola. TYPE (Italian) a 15th-century Italian dance a late 16th-/early 17th-century Italian part-song using nonsense refrains use for works of Italian origin or influence a late 16th-century Italian instrumental dance. TYPE (English) a late 16th-/early 17th-century English part-song using nonsense refrains use for works of English origin or influence. TYPE (Italian) Italian dance song because there is no single accepted English form of name for the plural of this type, use the form used by the composer and maintain that form throughout for that composer if the composer used no plural form, use ballate do not confuse with balada for instrumental ballatas use ballade. TYPE (English, French, German, Bulgarian) an instrumental work (usually for piano) in a narrative style do not confuse with the vocal ballade use for instrumental works titled balada, ballada, ballata, baladi. TYPE (English, French, German) vocal work form fixe of 14th- to 15th-century France also an instrumental piece in narrative style when given as the title to art songs from the 19th and 20th centuries, see song for treatment do not confuse with the instrumental ballade.
(Hungarian, Russian) use ballade for instrumental works so named. TYPE (English) type of folksong or art song in a folk style when a vocal work, see song for treatment. TYPE (Spanish) vocal work do not confuse with ballata for instrumental baladas use ballade. TYPE (English, French, German) use for bagatela, bagatel’, bagatell, bagatella. TYPE (Latin) liturgical (LC-PCC PS for 6.28.1)
See 6.14.2.5.2 in Best practices for music cataloging using RDA and MARC 21. Note: Poulenc's Aubade is considered to be distinctive. TYPE (English, French, German, Italian, Spanish) a piece of morning music counterpart of serenade or nocturne use for Aube. TYPE (English) a piece in a songlike style use for vocal and instrumental works and short arias so titled not part of a larger recitative. TYPE (English, German, Italian, Russian) use for arieta, ariette. TYPE (English, French, Hungarian, Italian, Spanish) use for Arie, ari ia TYPE (English, French) use for arabesca, arabesco, arabeska, Arabeske. Include medium of performance in all other cases. Do not include medium of performance when the anthem is for chorus, with or without instrumental accompaniment, as it is the implied medium. TYPE (English) a choral setting (in English) of a religious or moral text plural form frequently used as a conventional collective title. TYPE (English, French, German) a late Baroque dance movement in a harpsichord or orchestra suite also used loosely to refer to any of the English dance types popular during the late 17th century use for anglez, inglesa, inglese. TYPE (English, French, German) use for allemanda, almain, almaine, alman, almand, almaygne, almayne. TYPE (English) a vocal or instrumental tune TYPE (Latin) liturgical (LC-PCC PS for 6.28.1) fifth item of Ordinary of Mass